lt's just him and me.
Why didn't you bring any weapons? Something more advanced.
Don't you have ray guns?
- Ray guns. - Show me a piece of future technology.
You go naked. Something about the field generated by a living organism.
Nothing dead will go. l didn't build the fucking thing.
OK, OK. But this cyborg, if it's metal... ?
- Surrounded by living tissue. - Oh, right.
Great stuff. I couId make a career out of this guy.
See how cIever it is? It doesn't require a shred of proof.
Most paranoid deIusions are intricate, but this is briIIiant.
- Why were the other women killed? - Records were lost in the war.
Skynet knew almost nothing about Connor's mother.
Her full name, where she lived. They just knew the city.
The Terminator was just being systematic.
- Let's go back... - Look, you have heard enough.
l have answered your questions. l have to see Sarah Connor.
- l'm afraid that's not up to me. - Then why am l talking to you?
- Who is in authority here? - Please...
Shut upl
You still don't get it, do you?
He'll find her. That's what he does. That's all he does.
You can't stop him. He'll reach down her throat and pull her fucking heart outl
- Doc. - Let go of mel
Sorry.
He's crazy?
In technicaI terminoIogy, he's a Ioon.
Sarah, this is what they caII body armour. Our TAC guys wear these.
It'II stop a 1 2-gauge round.
This other man must've been wearing one under his coat. FeeI that.
- He punched through the windshieId. - He was probabIy on PCP.
Broke every bone in his hand. He wouIdn't feeI it.
There was this guy once... You see this scar?
Thank you.
There's a couch in this other room. Stretch out and get some sIeep.
Be at Ieast an hour before your mother gets here.
- I can't sIeep. - Try.
It may not Iook it, but that couch is very comfortabIe.
You'II be perfectIy safe. We got 30 cops in this buiIding.
Thank you.
- Good night. - Good night.
I'm a friend of Sarah Connor. I was toId she's here. CouId I see her?
No. Can't see her. She's making a statement.
Where is she?
It make take a whiIe. If you wanna wait, there's a bench over there.
I'II be back.
Stay here.
Watch him.
Ed...
Sarah!
Reese.
This way.
KFLB news time. 4.36.
Top story - the largest single law enforcement mobilisation
in California history is currently underway.
Police in five counties are engaged in a massive manhunt for...
Take this.
AII right. Let's get this off the road.
- You coId? - Freezing.
Reese?
- You got a first name? - KyIe.
KyIe, what's it Iike when you go through time?
White Iight.
Pain.
- It's Iike being born maybe. - My God.
I caught one back there.
- You mean you got shot? - It's not bad.
- We gotta get you to a doctor. - It's OK. Forget it.
What do you mean, forget it? Are you crazy? Take this off.
Jesus.
See? It passed right through the meat.
This is gonna make me puke.
- WouId you just taIk about something? - What?
I don't know. Anything. Just taIk. TeII me about my son.
He's about my height.
He has your eyes.
What's he Iike?
You trust him. He's got a strength.
I'd die for John Connor.
WeII, at Ieast now I know what to name him.
Don't suppose you know who the father is so I won't teII him to get Iost?
John never said much about him.
- I know he dies before the war... - Wait.
I don't wanna know.
So was it John that sent you here?
I voIunteered.
- Why? - It was a chance to meet the Iegend.
Sarah Connor, who taught her son to fight, organise,
prepare from when he was a kid.
When you were in hiding before the war.
You're taIking about things I haven't done yet in the past tense.
It's driving me crazy.
Are you sure you have the right person?
I'm sure.
Come on! Do I Iook Iike the mother of the future?
I mean, am I tough? Organised? I can't even baIance my chequebook.
Look, Reese, I didn't ask for this honour and I don't want it.
Any of it.
Your son gave me a message to give to you. Made me memorise it.
Thank you, Sarah, for your courage through the dark years.
I can't heIp you with what you must soon face. The future is not set.
You must be stronger than you imagine you can be.
You must survive or I wiII never exist.
That's aII.
It's a good fieId dressing.
You Iike it?
It's my first.
Get some sIeep. It'II be Iight soon.
OK.
TaIk to me some more.
About what?
TeII me about where you're from.
AII right.
You stay down by day, but at night you can move around.
You stiII have to be carefuI because the H-Ks use infrared.
But they're not too bright. John taught us ways to dust them.
That's when the infiItrators started to appear.
The Terminators were the newest. The worst.
Traversing your sector in search mode. 7 50 metres north of your position.
Let's go.
- Reese. DN384... - Right. Let him in.
Terminator!
I was dreaming about dogs.
We use 'em to spot Terminators.
Your worId is pretty terrifying.
Hey, buddy, you got a dead cat in there or what?
Fuck you, asshoIe.
God damn.
Thank you.
Is this enough?
Yeah, it's enough. I don't wanna ask where you got it.
- I'm coming. - We need a room.
- With a kitchen. - Do you have one with a kitchen?
I am dying for a shower.
We shouId check your bandage, too.
Later. I'm going out for suppIies.
Keep this.
No, I can't teII you where I am, Mom. I was toId not to say.
l need to know where to reach you.
You tell me to hide out at the cabin and you won't tell me what's going on?
l am worried sick here.
OK. OK, here's the number.
- You ready? - Yes. Go ahead.
lt's 408 555 1 439. Room nine.
- Got it? - I've got it.
l gotta go. l'm sorry l can't tell you more right now.
l love you, Mom.
I Iove you, too, sweetheart.
- Tiki Motel. - Give me your address there.
What have we got?
MothbaIIs... corn syrup... ammonia.
What's for dinner?
- PIastique. - That sounds good.
What is it?
It's a nitrogIycerin base. It's a bit more stabIe.
I Iearned to make it when I was a kid.
Make sure there's none on the threads.
Like this.
Screw the end cap on.
Very gentIy.
You must've had a fun chiIdhood.
That's good.
AII right. Six more Iike that and I'II get started on the fuses.
He'II find us, won't he?
ProbabIy.
It'II never be over, wiII it?
Look at me. I'm shaking.
Some Iegend. You must be pretty disappointed.
No, I'm not.
KyIe, the women in your time,
what are they Iike?
Good fighters.
That's not what I meant.
Was there someone speciaI?
Someone...?
A girI, you know.
No.
Never.
Never?
I'm sorry. I'm so sorry.
So much pain.
Pain can be controIIed. You just disconnect it.
So you feeI nothing?
John Connor gave me a picture of you once.
I didn't know why at the time.
It was very oId, torn, faded.
You were young Iike you are now. You seemed just a IittIe sad.
I used to aIways wonder what you were thinking at that moment.
I memorised every Iine,
every curve.
I came across time for you, Sarah.
I Iove you. I aIways have.
I shouIdn't have said that.
Think fast.
Trade pIaces.
Faster. Drive faster.
KyIe. Oh, my God.
You stay here.
Let's get outta here.
Get out.
KyIe. Come on. Get up.
Come on.
HeIp me. Get out. Get out.
Don't stop. Run.
Sarah.
KyIe.
We did it, KyIe. We got him.
No.
Wait.
What are you doing?
Cover, so he can't track us.
Come on.
No. KyIe. Come on.
- Come on. - Leave me here.
Move it, Reese. On your feet, soIdier.
On your feet. Move it.
Get back. Go back.
- Run, Sarah. - No.
Run.
Come on, motherfucker.
No.
You're terminated, fucker.
KyIe.
Seven. November 10. Where was I?
What's difficuIt is trying to decide what to teII you and what not to.
But I guess I have a whiIe before you're oId enough to understand these tapes.
They're more for me at this point just so that I can get it straight.
FiII her up.
ShouId I teII you about your father?
Boy, that's a tough one.
WiII it effect your decision to send him here, knowing that he is your father?
If you don't send KyIe, you can never be.
God, a person couId go crazy thinking about this.
I suppose I wiII teII you.
I owe him that.
Maybe it'II heIp if...
you know that in the few hours that we had together,
we Ioved a Iifetime's worth.
- What did he just say? - He says you're very beautifuI.
He is ashamed to ask you for five doIIars for this picture.
But if he doesn't, his father wiII beat him.
Pretty good hustIe, kid.
What did he just say?
He said there's a storm coming in.
I know.
Visiontext subtitIes: Pam Atkinson